I haven’t always been one for switching point of views (POV’s) in my stories, but when writing the second draft of True Colors, I knew that I really needed to do it. I needed to be able to step into Connor and Astrid’s minds and really be able to feel what they were feeling and see what they were seeing.
It was hard at times because most of the time I wanted to stay in one mind through the book, but I know that overall it was good that I chose this route. Here’s why:
Switching POV’s allowed me to delve deeper into my character’s feelings and helped me understand each of them better.
In my original draft I only wrote from Connor’s POV because he is the main character, but coming into the second draft made me realize how important it is to understand Astrid’s side, too. This story isn’t just about Connor – it’s also about the relationship he and Astrid share and in order for me to better develop that it just made more sense for me to write from both of their POV’s. That way I’m not only understanding Connor’s perspective and feelings, but Astrid’s as well.
Without doing this, I didn’t know Astrid’s overall feelings toward him. I had an idea, but I didn’t understand her thoughts and feelings half as well as I did when I wrote from her POV.
Switching up POV’s also aided in adding more to my story. I was not only able to delve into their backstories a little more freely, but I was also able to write scenes that didn’t exist before.
For example, in my first draft there is a scene where Astrid learns a great secret and she won’t share it with Connor and he goes off, angry that she won’t share what she’s learned. This scene is more bent on Astrid’s perspective, so you don’t get to follow Connor and see where he ends up.
But in my second draft I wrote the scene entirely from Connor’s POV and I felt like it was so much more powerful and beneficial to the story to be able to fully grasp his emotions and follow him when he walks away and see what he does. It’s such a huge part of the story that is the beginning of the end, so seeing Connor’s POV is way more beneficial.
Switching POV’s definitely has it’s downside, though. I found myself (though completely unaware at the time) not switching POV’s enough or maybe even doing it too often because I wanted to see the other’s perspective.
I think in this draft I ended up making Astrid too big of a character because I was having too much fun with her. I don’t want to make Astrid bigger than Connor because overall this is Connor’s story.
It’s so easy to get caught up in learning more about your characters through this method, so just be careful to keep the POV’s organized – like every other chapter or something like that. This makes it clean and your reader won’t be like – hey, it’s been stuck on __’s POV for four chapters now, what happened to ___?
So it definitely has it’s cons (and obviously I still need to work some things out in my book), but overall I think switching POV’s is great as long as it benefits the story.
Talk to me!
Do you switch POV’s in your stories? Do you like reading books with different POV’s? Why or why not?
Enjoyed the post? Join my email list to never miss a thing!